| Jamie
Bartlett, Director
Joelle
Griffin Russell, Pianist
Beginnings
Music has always been an important
part of the life of the Williamsburg Unitarian Universalists. The
first choir was formed by David Hamilton, one of the founding
members of the church, when the group met at Clara Byrd Baker
Elementary School. As they planned their Christmas service for
1989, they decided to get together the many gifted singers in the
congregation for an impromptu choir. David Hamilton was the
conductor. They sang several songs during that first service and
the groundwork was laid for today's strong music program.
This first small group of
"pick-up" singers led to the current 25-voice choir that
presents a diverse selection of music both sacred and secular.
Sometimes, they even sing in English!
The choir practices every Wednesday
from 7:30 to 9:00 P.M. September through mid-May. Rehearsals are
held at the church. The choir generally performs twice each month
during the season.
The
history of the choir is often divided into the “Genevieve
years” and the “Jamie years”.
Early in 1990 Dr.
Genevieve McGiffert,
a charter member and professional teacher of singers, assumed
volunteer responsibility for developing the choir and music
program.
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The
Genevieve Years
1990-1996
Early
in 1990, when the Williamsburg Unitarian Universalists were barely
a year old, Genevieve McGiffert, a charter member and a
professional teacher of singers, assumed volunteer leadership
responsibility for developing the choir and the congregation's
music program.
The choir, comprising some twenty singers, made its debut on March
18 at the ordination of WUU minister Roy Reynolds. A month later,
on April 15, the choir performed for the first time in a Sunday
service, held at Clara Byrd Baker School, singing "For the
Beauty of the Earth" by John Rutter.
Membership during Genevieve's tenure as music director soon
stabilized at around twenty-five. The number of "choir
Sundays" rose from under twenty in 1990-1991 to twenty-five
in 1995-1996. Thanksgiving, Christmas, and Easter provided
opportunities for special musical fare. So, too, did Charter
Sunday in February each year. In addition, the choir contributed
enthusiasm and talent to "Come to the Cabaret," kicking
off the 1993-1994 pledge campaign in March 1993.
The choir sang for the dedication of the congregational hymnal, Singing
the Living Tradition, on October 25, 1993, and also for the
dedication of the Worship Building, March 31, 1996. The program
for the latter event included Haydn's Little Organ Mass and
selections from Adolphus Hailstork's I Will Lift Up Mine Eyes,
accompanied by an instrumental ensemble.
Soloists at Sunday worship services included such outstanding
Williamsburg-area singers as Georgeann Paddock, Douglas Price,
Daren Basnight, and Kayla Werlin, as well as individual choir
members.
Besides performing twice monthly from September to June, the choir
assisted in funeral or memorial services for WUU members or
associates: Rolf Winter and Leona Dubnick in 1993; Jamie Fahs in
1994; Ericka Bishop and Joe Litterer in 1995.
Under Genevieve's leadership, the music committee and the
congregation established a tradition of an annual Sunday service
devoted to a variety of musical offerings. At the close of her
term, the choir issued its first taped recording.
During Genevieve's six years as conductor, George Rublein served
as piano accompanist for rehearsals and services, with back-up
from David Hamilton, Vicki Hall, and Mildred Andrews. Bets
Bartholomew and Elizabeth Hollis served as librarians. Rehearsals
were held in Genevieve's home studio throughout her tenure.
In addition to attracting new members each year, the choir
exhibited remarkable continuity over time. Singers who joined in
the first year or two under Genevieve's baton and who remain
members today (September 2000) include Merry Feyock, Beverly and
Roger Baldwin, Ruth Fraser, Mary DeLara, Vicki Hall, Richard
Wallsom, Michael McGiffert, Don Ackley, David and Donna Stanford,
Margo Schaefer, and Linda Lane-Hamilton.
Shortly before Genevieve retired from duty, members of the church
registered many up-beat responses to the music of the church in a
survey of congregational activities. "I wish the choir sang
every week!" wrote one. "The music program is
wonderful," said another. A third expressed "hopes for
an inspired replacement for Genevieve."
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